Daily Archives: August 17, 2015

VAN Critique July/August 2015: Adrian Ghenie, Pieter Hugo and Olaf Brzeski at The MAC, Belfast

Discovery copy

Work by Olaf Brezski on show at ‘ I will go there take me home’

Adrian Ghenie, Pieter Hugo, Olaf Brzeski
‘I will go there, take me home’
Curated by Gregory McCartney
8 May – 26 July 2015
The MAC, Belfast

‘I will go there, take me home’ marks the second installment of the MAC’s guest curator programme, which offers independent curators the opportunity to develop exhibitions in the MAC’s three impressive gallery spaces. This year’s recipient is Gregory McCartney, a Derry-based curator who has devised a rich and multi-faceted exhibition which forces audiences to consider violence, failure, destruction and – quite bleakly – “the end of things…[from the] end of personal and social empires…[to the] failure of philosophies; the failure of systems; [and] the failure of people”.

The exhibition includes major works by three artists of international acclaim – Adrian Ghenie (Romania), Pieter Hugo (South Africa) and Olaf Brzeski (Poland) – none of whom have exhibited before in Ireland. Despite their geographical separation, each artist is no stranger to violence and all of their works are sobering, visceral and thought provoking, albeit in varying ways. Whilst no works here are rooted in or directly reference Northern Ireland’s contentious political history, the presentation of these works in Belfast nonetheless enables the country’s own troubles to bubble under the surface of the exhibition. (more…)

VAN Critique July/August 2015: Kathy Prendergast at Crawford Art Gallery, Cork

OR_Kathy Prendergast_Crawford Art Gallery_Cork_Photography by Jed Niezgoda_www.venividiphoto.net

Kathy Prendergast, Eclipse, 2014 – 2015, Photography by Jed Niezgoda

Kathy Prendergast
Crawford Art Gallery, Cork
10 April – 13 June 2015
The elegant first floor landing and Gibson galleries at the Crawford have been emptied of their fine paintings and ‘objets d’art’ to accommodate Kathy Prendergast’s exhibition ‘OR’, which also extends into the adjoining modern gallery.

At the centre of the landing, Prendergast’s After All (2015) is an intervention in the Gibson Cabinet, made specially to hold collectables donated by the eponymous patron of the gallery. A single white antique plate is retained on a mirrored shelf at one end, with a crescent moon outlined in blue. At the other end, four exquisite watercolours by the artist, Planets (2015), are laid two-by-two, depicting varied circular shapes against a dark background.

The wide central shelves of the cabinet initially appear empty until random circular outlines of the removed objects come into focus, highlighted by layers of ash dust of varying thickness. The effect is of a sealed airless universe, and a positive / negative pattern of doubt is literally raised as to the relevance of the removed objects. Two atmospheric moonscape paintings from the permanent collection have also been hung on the landing. (more…)