13 October 2017 to 30 September 2018
Drawing on the paradox implicit in the word ‘coastline’ – for never has a coast followed a linear course – the title of this exhibition throws a line around a 12 month programme of changing displays of artworks and archival material that will explore our sense of place, perception, representation and memory. Works by Dorothy Cross, Carlos Cruz-Diez, Clare Langan, Richard Long, Anne Madden, Anita Groener, Michael Mulcahy, Donald Teskey, Tony O’Malley, Alexandra Wejchert, Bridget Riley and others variously explore pattern and line, surface, folds, enclosures, erasures, borders, terrain, the inherent coastal tensions between motion and stillness and any attempt to map what our senses perceive. Others such as Brian O’Doherty, Hamish Fulton, Tim Robinson and OMG collective variously engage photographic, linear, linguistic and coded systems to invoke a mind/body relationship.
A key work in the exhibition shown at IMMA for the first time is the monumental installation, Tabernacle (2013), an extraordinary work by Dorothy Cross in which a life-size currach forms the roof of a hut-like structure from which that opens towards a projection of her video Sea Cave (2013). Cross previously used the Currach as part of her set design for the English National Opera’s 2008 production of J.M. Synge’s haunting play ‘Riders to the Sea’, (1903) directed by Fiona Shaw.