CCA Derry~Londonderry has partnered with ART NIGHT 2021 to screen Alberta Whittle’s film trilogy Creating dangerously (we-I insist!) in the CCA Project Space, Tuesday 6 July–Saturday 17 July. Booking for this event is essential and can be done through our online shop.
Alberta Whittle hosted CCA’s first digital residency of 2021 entitled Creating Dangerously, which you can still see on our website here.
“After a devastating eighteen months of socio-political catastrophe, Creating dangerously (we-I insist!) speculates on the optics of protest, channels of refusal, as well as the desire for pleasure and softness…Researched and produced as urgent meditations on freedom, this trilogy of films attempts to straddle a sense of looking back and looking forward whilst still being immersed in both epidemiological and political strife’.”
business as usual: hostile environment (a REMIX) (2021) explores the ways in which political and ecological climates shape one another. Dispersed across three interconnected sites along Glasgow’s Forth and Clyde Canal, the work utilises the physical canal infrastructure as both a literal and poetic route through which to reflect on the role of waterways in the voluntary and involuntary movement of people. Through creating a movable and mutating encounter, the project highlights the dual nature of the environment, as a set of conditions capable of both hostility and nurture. business as usual: hostile environment was produced for Glasgow International and is informed by collective thinking, making and discussion with women from the Maryhill Integration Network’s Joyous Choir.
HOLDING THE LINE: a refrain in two parts (2021) is Alberta Whittle’s newly commissioned film for Art Night. Taking the voice of the River Thames as a starting point, and working with science fiction writer Ama Josephine Budge, Whittle’s new film will look at colonial histories and police brutality to consider our relationship to current ecological and political climates. Holding the Line also looks to imagined futures, offering time and space for healing and reset.
RESET (2020) explores timely questions relating to personal healing and the cultivation of hope in hostile environments, such as the present global pandemic or colonialism. Filmed across Barbados, Cuba, South Africa and the United Kingdom, RESET is informed by the writings of queer theorist, Eve Kosofsky Sedgwick, interweaving gothic imagery, fears of contagion, xenophobia and the ensuing moral panic that often follows such anxieties. RESET, which was co-produced and co-commissioned by Forma and Frieze, is an urgent political film that strikes the balance between grief and reflection, empathy and desire.
Creating dangerously (we-I insist!) groups together HOLDING THE LINE: a refrain in two parts with existing film works Business as usual: hostile environment (a REMIX) and RESET, as a trilogy of films. The full run time of all three films is 68 minutes. There will be parallel screenings of this series by Alberta at KLA ART produced by 32° East in Uganda on Thursday 15 July 2021 and at Platfform by Peak Cymru, Saturday 18 June–Sunday 17 July 2021.