Aaron Angell

Short Abstract

I am an artist who’s main medium is reduction-fried ceramic. I also run Troy Town Art Pottery, a small organisation in London focussing on artist’s ceramic sculpture and youth outreach.

Short Bio

Solo:

2018

Shoes, Rob Tufnell, Cologne, October 2018

Heat-Haze Theatre/Hitzeflimmern-Theater, Kunstverein Freiburg, March 2018

More sculpture about dogs and shadows, Koppe Astner, Glasgow, Jan 2018

Early Monodies, Rodeo, July 2018 (with Ian Law)

Plumb Poltergeist, Art Exchange, University of Essex, March 2018 (With Ian Law)

2017

GOMA, Glasgow

Why I built the Cloaca Maxima, Rob Tufnell

2016

Variations on the Chaldon Doom, Markus Lüttgen, Cologne

The Death of Robin Hood, Kelvingrove Art gallery and Museum & Glasgow Botanic Gardens, For Glasgow International

2015

Grotwork, Studio Voltaire, London 
2013
‘Woman expecting triplets returning home from the cinema’,

Woman expecting triplets returning home from the cinema, Aaron Angell and Jack Bilbo, SWG3, Glasgow

Raga for Fishwife, World Class Boxing, Miami

2012

Bumpkin, Rob Tufnell, London

Put John Barleycorn in the old brown jug, Croy Nielsen, Berlin

2011

The Devil’s Arse, SPACE, London

The year of the left-hand, Focal Point Gallery, Southend-on-Sea

Selected Group:

2020

Artifices Instabiles, Nouveau Musée National de Monaco, Poteries Artistiques de Monaco (1871-1918) and

Aaron Angell, Eugène Baudin, Chiara Camoni, Johan Creten, Albert Diato, Simone Fattal, Ron Nagle, George Ohr, Pablo Picasso, Brian Rochefort, Magdalena Suarez Frimkess

2018

The land we live in, the land we left behind, Hauser & Wirth, Somerset

2017

That continuous thing: artists and the ceramic studio 1920-today, Tate St Ives, St Ives, Cornwall. Also co-curator.

2016

The British Art Show 8, Leeds City Art Gallery Koppe Astner, Glasgow
Linn Lühn, Dusseldorf
2015

Potteries Thinkbelt, Rob Tufnell, London Studio Leigh, London 
2014
‘Pool’, Kestnergesellschaft, Hannover

A merman I should turn to be, Laura Bartlett Gallery, London ‘Die Marmory Show’, Deborah Schamoni, Munich

You don’t need a weatherman to know which way the wind blows, Hollybush Gardens, London

2013

British, British, Polish, Polish; British and Polish Art Since 1990, CCA, Ujazdowski Castle, Warsaw

Apparatus Criticus, Künstlerhaus Stuttgart, May 18

A History of Inspiration, Palais de Tokyo, Paris
‘Hides on All Sides’, Torrance Shipman Gallery, Brooklyn

Hook, Line and Sinker: Contemporary Drawings from the Collection of Debra and Dennis Scholl, Nevada Museum of Art, Reno

2011

Outrageous Fortune: Artists remake the Tarot, Focal Point Gallery and the Hayward Gallery

As Curator:

That continuous thing: artists and the ceramic studio 1920-today, Tate St Ives, St Ives, Cornwall. March-October 2017

Collections:


Arts Council Collection, 2 works, 2016

Glasgow Museums Collection, 3 works, 2017


Victoria & Albert Museum, 2 works, 2018

Tate Collection, 2 works, 2019

Website: https://www.aaronangell.com/

Caterpillar engine 6 Anagama natural ash. Iron ‘Shigaraki’ body & limoges porcelain. Bidoro, yohen, kani-no-me 33 x 24 x 26 cm 2021
Pie #2 anagama natural ash Yohen, bidoro, tombo-no-me 28 x 15x 24 cm

By continuing to use the site, you agree to the use of cookies. more information

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this. You can review our Privacy Policy under the menu above: About VAI > VAI Privacy Statement

Close