EVA International – Ireland’s Biennial of Contemporary Art, is pleased to announce the 56 artists who will participate in the 2018 edition
Inji Aflatoun, Peju Alatise, Malala Andrialavidrazana, Alexander Apóstol, Artists’ Campaign to Repeal the Eighth Amendment, Jaime Ávila, Akiq AW, Patricia Belli, Colin Booth, Lee Bul, José Castrellón, Viriya Chotpanyavisut, Steven Cohen, Bruce Conner, Juan Dávila, Patrizio di Massimo, Roy Dib, Rita Duffy, Adrian Duncan and Feargal Ward, John Duncan, Juan Pablo Echeverri, Gonzalo Fuenmayor, John Gerrard, Dominique Gonzalez Foerster, Alejandro González Iñárritu, Laurent Grasso, Eileen Gray, Claire Halpin, Sanja Iveković, Mainie Jellett, Uchechukwu James-Iroha, Seán Keating, Sam Keogh, Marie-Claire Messouma Manlanbien, Napoles Marty, Francis Matthews, Julie Merriman, Kevin Mooney, Locky Morris, Isabel Nolan, Masahito Ono, David Pérez Karmadavis, John Rainey, Dan Rees, Marlon T. Riggs, Sutthirat Supaparinya, Beto Shwafaty, Mina Talaee, Jenna Tas, Darn Thorn, Top Lista Nadrealista, Nicolás Vizcaíno Sánchez, Ian Wieczorek , Liu Xiaodong, Trevor Yeung
The 38th edition of EVA International takes its starting point from the painting Night Candles are Burnt Out (1927) by Irish artist Seán Keating. The painting presents an allegory of the Irish psyche at the advent of the construction of Ardnacrusha, a hydroelectric dam, built that same year on the border of County Limerick. Ardnacrusha was a symbol of early twentieth century engineering, which accelerated the Irish economy and radically shifted the society of the new state. Keating’s painting depicts a host of characters set against the backdrop of the construction site, whose lives are set to change by the dawning of a new era of technological progress.
The 38th EVA International has no title, breaking with a tradition of the biennial that dates back to 1990. This decision, taken by Guerrero is designed to emphasize the word ‘International’ that is central to EVA’s identity. Guerrero explains, “in our current state of nationalisms, hard-borders, protectionism and a complete change of course in humanity, where the liberal belief of a ‘never again’ seems to be dismantling, the word ‘International’ suddenly carries an important weight worth embracing. Since its foundation in 1977 in Limerick, EVA has been a forerunner in understanding the world through art in a transnational, transcultural, international dialogue, presenting its contradictions, anxieties and possibilities.”
The 38th EVA International will open to the public on Saturday 14 April with previews on 12 and 13 April.