HUMOUR WAS THE KEY
ALAN PHELAN TALKS TO CAROLINE MCCARTHY ABOUT HER CAREER.
Alan Phelan: You studied in NCAD but soon moved to London for a Masters at Goldsmiths. What made you remain in London?
Caroline McCarthy: It wasn’t a conscious decision. Studying in London, I had made a lot of new friends and everyone was organising shows, so it kept me busy. The next thing you know two decades have whizzed by. To be honest, these days you can be based anywhere.
AP: You have always had a footing in Ireland through exhibiting here regularly and with Green on Red Gallery. Why does this matter to you?
CM: My formative years as an artist were in Dublin. It’s where I established friendships and working relationships that have continued, and which I value very much.
AP: You have worked with many international galleries. Have any of these represented you or were they just for exhibitions (I am thinking here of Parker’s Box, Hoet Bakaert or Bugdahn and Kaimer)?
CM: Parker’s Box and Hoet Bekaert represented me for 10 years and 8 years respectively. They both had a very experimental approach to things. Shows were always a place where new things could happen, rather than the work being shipped in and out again. This model is extremely difficult to sustain, given the increasing dominance of art fairs and the pressure placed on galleries to go there and sell in order to survive. Some galleries just don’t want to play ball, and rightly so. [Read more…]