Uillinn, West Cork Arts Centre
18 July – 12 August 2015
Commissioned for Uillinn, Gannon’s exhibition comprises a new body of experimental large-scale architectural drawings and a new film work, Silver House. The film was shot locally in Goleen, West Cork, during the Spring of 2015. The work is a collaboration with the sound composer Susan Stenger and features Eilish Lavelle and her home as the subject and the site of the film.
Lavelle has spent the last 40 years designing her home and garden in line with the ideals of high modernism, transporting the early-twentieth century avant-garde to the coast of rural West Cork. The house was once a horse stable, transformed by Lavelle in the 1970s with floor-to-ceiling windows, glass and chrome furniture, and bathroom walls covered in mirrored silver paper. However, the passage of time has softened the clean modernist lines.
The audience are seated on a white fur bench – a reference to the fur bedroom created by Adolf Loos in 1903 – which provides a tactile but also comfortable vantage point. The fur suggests the intimacy of being invited into the comfort of someone’s home before the film even begins. Silver House opens with the specific – a deadpan close up of the intricate organic design of the rich red wallpaper – before cutting to the exterior of the property where the ancient trees sweep down to the Atlantic Sea.
This cutting continues throughout the film, shifting between interior and exterior, the inanimate and intimate portrait of Lavelle, the purely visual and Lavelle’s personal stories about her home. Like the house, the film borrows techniques from early avant-garde film, using montage to juxtapose fast and slow paced shots in a way that compresses and fractures space, time and information. [Read more…]