What’s on in Connaught

A Group Exhibition by Artists: Colleen Fitzpatrick, Maria Laffey & Linda Proudfoot

“Nature does not hurry yet everything is accomplished.” – Lao Tzu
We are all rooted in Mother Nature but look to the sky where we dream of flying on the wild wind.
This exhibition is a celebration of the vastness, beauty and vulnerability of nature in these uncertain times.
If we slow down and tune into nature we learn so much. We live in an age of soundbites and instant gratification.
Art can point us to the world and help us to see things we don’t usually notice, such as the pace and beauty of the natural environment.

New works, new meditations from one of Ireland’s most outstanding still life artists. Trudie Mooney has the powerful effect of stopping and holding the viewer. Objects are still, the light they are washed in is still; all movement is stilled, giving pause, forcing us to look again at the world through offerings of sublime detail.

‘usual and generous ways’ presents works from artists working across a range of media, from Ireland and elsewhere, in which stone is not just a material to be shaped by the artist’s hand, but a subject-matter, object of inquiry, and an agent to be thought-with and thought-through.

Featuring: Richard Long, Barrie Cooke, Damien Hirst, Dorothy Cross, Seiha Kurosawa, David Beattie, Patrick Ireland/Brian O’Doherty, Patrick Hall, Anne Madden, Hilary Heron, Hamish Fulton.

Presented by Galway Arts Centre in partnership with the Irish Museum of Modern Art, curated by writer & poet Padraig Regan.

Map: GSNI

126 Artist-Run Gallery presents It Felt Like A Dream, a collection of work by Asha Murray. Her work combines experimental film, wool tufted objects, collage and sculpture to explore identity, consumerism and memory in everyday objects. The exhibition traces her progression to date. It opens Saturday April 4 at 6pm with a reception and runs until April 26. Open Wednesday to Sunday, 12–6pm.

Exhibition continues from 07/03/2026.

Flight by Sacha Hutchinson opens at Daróg Wine Bar on 02 March, bringing a study of Atlantic seabirds to focus at a time when our coastal birdlife faces increasing pressure.
Based in Barna, Co. Galway, Sacha Hutchinson is a practising artist with a Bachelor of Arts in Art and Design (2010). Working primarily in gouache and oil, her practice explores nature’s vulnerability, with a particular focus on Ireland’s Atlantic seabirds. Alongside her visual work, she writes environmental poetry and has been published in several poetry journals and art anthologies. She is also a member of the Hare’s Corner Collective.

‘usual and generous ways’ presents works from artists working across a range of media, from Ireland and elsewhere, in which stone is not just a material to be shaped by the artist’s hand, but a subject-matter, object of inquiry, and an agent to be thought-with and thought-through.

Featuring: Richard Long, Barrie Cooke, Damien Hirst, Dorothy Cross, Seiha Kurosawa, David Beattie, Patrick Ireland/Brian O’Doherty, Patrick Hall, Anne Madden, Hilary Heron, Hamish Fulton.

Presented by Galway Arts Centre in partnership with the Irish Museum of Modern Art, curated by writer & poet Padraig Regan.

Map: GSNI

Exhibition continues from 06/03/2026.

The Living Ginger brings together a range of Jack Butler Yeats’s watercolours from 1895 to 1910, a formative period when his vivid sense of character and everyday life was emerging through dynamic, spirited compositions. The title comes from a phrase Yeats once used to describe the vitality he believed that all great painting should possess. That lively undercurrent gives these early works their enduring charge.

Exhibition continues from 07/03/2026.

Flight by Sacha Hutchinson opens at Daróg Wine Bar on 02 March, bringing a study of Atlantic seabirds to focus at a time when our coastal birdlife faces increasing pressure.
Based in Barna, Co. Galway, Sacha Hutchinson is a practising artist with a Bachelor of Arts in Art and Design (2010). Working primarily in gouache and oil, her practice explores nature’s vulnerability, with a particular focus on Ireland’s Atlantic seabirds. Alongside her visual work, she writes environmental poetry and has been published in several poetry journals and art anthologies. She is also a member of the Hare’s Corner Collective.

The Dock presents Soft Spot, an exhibition by Irish artist Helen O’Leary that foregrounds reuse, repair, and ecological thinking as generative artistic strategies.
Raised in rural Ireland in the 1960s and 70s, O’Leary’s formative ethos — “if you can’t make it, you can’t have it” — continues to inform her materially rigorous practice. Over decades, she has developed a distinctive formal language built from modest materials and unglamorous gestures. Her works occupy a dynamic space between painting and sculpture, blurring categorical boundaries while insisting on the physicality of their making.

Solas Art Gallery, located within The Island Theatre in Ballinamore, is delighted to announce that its 19th Annual Spring Group Exhibition will open at 7:30pm on Friday, the 20th of March. The exhibition features a diverse collection of work by both emerging and established artists, highlighting a wide range of styles and creative approaches. All are welcome and visitors can enjoy a curated selection of paintings in oils, acrylics, watercolours, embroidery, photography, poetry and mixed media spanning realism to abstraction.

Daisy Chains || Data Trails expands on the recurrent theme in Ciara Tuite’s practice ”body memory’. In this exhibition she explores ‘old practices’ and ‘ancient rituals’ which are embedded in our DNA Modern technology can’t replace the act of mark-making, storytelling, dance etc. In our ever-evolving world, the artist uses painting, text and installation as a conduit to ask the question – how can ancient rituals and digital culture walk side by side to promote peace? What if stone skimming, and barefoot walking are a necessity rather than a novelty to thrive in todays world? What if for a moment we swapped the screen for the sky?

‘Even now there are still places where a thought might grow.‘ – Derek Mahon

I wrote the phrase ‘keep the burning world at bay’ in a notebook during a deep sense of uncertainty at the start of the global pandemic and partly as an answer to my young daughter’s worried question when her school closed – ‘Will it be like this forever?’ I didn’t know, bluffing I told her it would be back to ‘normal’ soon.

New works, new meditations from one of Ireland’s most outstanding still life artists. Trudie Mooney has the powerful effect of stopping and holding the viewer. Objects are still, the light they are washed in is still; all movement is stilled, giving pause, forcing us to look again at the world through offerings of sublime detail.

The Model is delighted to present Polyrhythms, a solo exhibition by German-Irish painter Tinka Bechert. Bringing together painting, sculpture and textile works made since 2018, the exhibition centres on a decisive shift in Bechert’s practice away from narrative imagery toward abstraction. Accompanying this development has been an increased attention to musical thinking, with rhythm, repetition and pacing guiding how the works unfold.

126 Artist-Run Gallery presents It Felt Like A Dream, a collection of work by Asha Murray. Her work combines experimental film, wool tufted objects, collage and sculpture to explore identity, consumerism and memory in everyday objects. The exhibition traces her progression to date. It opens Saturday April 4 at 6pm with a reception and runs until April 26. Open Wednesday to Sunday, 12–6pm.

Vivian Hansbury is a mixed-media artist who integrates cast materials with organic elements. This exhibition features glass castings inspired by moss and bronze castings derived from willow reeds, reflecting her nuanced journey of growing up in the Irish Midlands and navigating the complexities of a biracial identity in the 1970s and 1980s. The exhibition includes both free-standing and wall-mounted sculptures in conjunction with drawings, immersing the viewer in the rich narrative of the boglands, which are deeply rooted in mythological and historical significance. Vivian’s work invites a critical examination of memory and the fluidity of recollection, guiding the audience through a liminal space that exists between past and future. Specifically designed for the Custom House Gallery.

Image: Tanawin, Willow Withies, Jesmonite & Turf Castings