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What’s on International / Online

Discover what’s on internationally with Irish artists in our curated global visual-arts guide: from Sean Scully’s landmark retrospective at New York’s Guggenheim Museum and Dorothy Cross’s immersive installation at Paris’s Palais de Tokyo to emergent painter Caoimhín O’Healaí’s solo show at London’s Saatchi Gallery. Catch Alice Maher’s multidisciplinary work in the Venice Biennale collateral events, Michael Craig-Martin–inspired pop-up sculptures at Art Basel Miami, and Sinead O’Donnell’s boundary-pushing performance art at the Berlin Art Week. Our roundup also highlights group exhibitions at Frieze London, digital-art showcases featuring Niamh O’Malley at the Centre Pompidou’s online platform, and photography fairs in Tokyo featuring the lens of Irish photojournalists. Stay up to date with international art-fair previews, biennale tours, and exclusive studio-visit open days—perfect for collectors, curators, and art lovers seeking Ireland’s creative talents on the world stage. Elevate your global art calendar with insider access to the latest exhibitions, talks, and collaborative projects by Irish artists abroad.

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Andiamo | Nathalie Du Pasquier & Pierre Charpin at Le Crédac, Paris

Andiamo | Nathalie Du Pasquier & Pierre Charpin at Le Crédac, Paris

19/01/2026 - 22/03/2026
Le Crédac
La Manufacture des Oeillets, 1 Place Pierre Gosnat, Ivry-sur-Seine, 94200

Exhibition continues from 17/01/2026 to 22/03/2026.

Nathalie Du Pasquier and Pierre Charpin became friends in the mid-1990s. Objects, a shared appreciation for drawing, forms, colors, and surfaces became their common ground. ‘Andiamo’ is a dialogue between their two worlds. It bypasses conventions and expectations: no chronology, hierarchy, classification, or arrangement. It places their respective works under a new lens, playing on formal and semantic relationships.

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Painting Ulysses | Aidan Hickey at the Irish Cultural Centre, London

Painting Ulysses | Aidan Hickey at the Irish Cultural Centre, London

26/01/2026 - 31/07/2026
10:00 am - 5:00 pm
Irish Cultural Centre, Hammersmith
5 Black’s Road, London, W6 9DT

Exhibition continues from 05/01/2026 to 31/07/2026.

To mark the 100th anniversary year of the publication of James Joyce’s masterpiece “ULYSSES”, the Irish Cultural Centre is delighted to Present this Spectacular Visual Art Exhibition.

‘Painting Ulysses’ comprises 18 magnificent paintings, depicting each of the 18 Episodes in James Joyce’s novel.  As each of Joyce’s episodes in ULYSSES was written in a different literary style, Hickey has designed each painting in a different visual style.

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STREAM | Jack Hogan at 15 Beautreillis, Paris

STREAM | Jack Hogan at 15 Beautreillis, Paris

04/02/2026 - 28/02/2026
15 Beautreillis
15, rue Beautreillis, Paris, 75004

Exhibition continues from 15/01/2026 to 28/02/2026.

STREAM is a new solo exhibition of drawings, photographs and a video by Jack Hogan (Ireland, 1986), on view now at 15 Beautreillis.
The video work, Stream, cuts a slice of the free flow of mundane, magical life. A cinematic choreography of carrying on emerges, equal parts melancholy and ecstasy. Jack recorded hundreds of hours of their commutes, capturing people’s everyday organisation alongside Jack’s. The photographs and drawings are a sequence of black, white and grey details, gestures, formal interactions, body parts, patterns, masks and facades. Supported by Culture Ireland.

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Interval Four | Ailbhe Ní Bhriain at the Centre Culturel Irlandais, Paris

Interval Four | Ailbhe Ní Bhriain at the Centre Culturel Irlandais, Paris

09/02/2026 - 29/03/2026
2:00 pm - 6:00 pm
Centre Culturel Irlandais
5 rue des Irlandais, , Paris, 75005

Exhibition continues from 06/02/2026 to 29/03/2026.

This exhibition presents Interval IV, a monumental Jacquard tapestry woven from silk, wool, cotton, and Lurex. It combines photography and collage to create a richly layered scene that is both precise and dreamlike. A Victorian era portrait is disrupted by images of underground geological formations and fragments of contemporary ruins. 

These juxtapositions situate the scars of human ambition within the deep time of geology, a register that unsettles all notions of stability and endurance. Shown alongside the tapestry is a quieter abstract piece from Ní Bhriain’s Picture series (2022–2025) which imagines a future archive in which photographic images endure only as material traces.

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