This intimate, artist-initiated presentation of deeply personal new work coincides with Basel’s international art week, marking the culmination of a 3-month residency at Stiftung Bartels Fondation.

Choke dismantles the intellectual narratives we construct to distance ourselves from natural cycles, offering a poignant reminder that humans are animals, in all their frailty and beauty.

Exhibition continues from 10/02/2026 to 20/06/2026.

Portraits—The Failure of the State presents Brian Maguire’s portraits from three bodies of work that investigate the catastrophic impact of systemic violence without justice in Montana, United States; Bentiu, South Sudan; and Ciudad Juárez, Mexico. Maguire is an artist who looks outward, beyond the studio, engaging with the world and working in close dialogue with the families and communities of those erased, displaced, and forgotten by the failure of state institutions to serve and protect. 

Missoula Art Museum commissioned the portraits of Missing and Murdered Indigenous People of Montana for an exhibition titled Outrage and supported the project over five years.

CHOKE : A meditation on grief and the alchemy of the abject.

Preview: 13th June 2026. 6-8pm

Artist talk and late opening: 17th and 18th June. 7-9pm

Open daily: 14-21 June. Open 3-6pm and by appointment.

This intimate, artist-initiated presentation of deeply personal new work coincides with Basel’s international art week, marking the culmination of a 3-month residency at Stiftung Bartels Fondation.

Choke dismantles the intellectual narratives we construct to distance ourselves from natural cycles, offering a poignant reminder that humans are animals, in all their frailty and beauty.

For more information, click here.

Château La Coste, an emblematic location for contemporary art in Provence, is delighted to present Stranger, an exhibition of sculptures by Northern-Irish artist Colin Davidson, running from the 7th of March to the 22nd of June 2026 at Pavillon Renzo Piano, in the south of France.

Internationally recognised for his strikingly emotional portraits, Colin Davidson proposes a major evolution in his art practice with Stranger. This exhibition marks the first large presentation of his tridimensional artworks, while staying anchored in his engagement with paint as a tactile medium, sensible and expressive.

As Above, So Below explores painting as both material and metaphor. Built through layers, staining, transparency, and accumulation, the pigment spreads, settles, erodes, and condenses into abstract forms that suggest shifting relationships between atmosphere, landscape, and the body.

Drawing on organic, cellular, and meteorological structures, the paintings examine processes of transformation and exchange. Mineral-like surfaces and suspended gestures evoke systems that feel simultaneously microscopic and cosmic, bodily and environmental.

Exhibition continues from 05/01/2026 to 31/07/2026.

To mark the 100th anniversary year of the publication of James Joyce’s masterpiece “ULYSSES”, the Irish Cultural Centre is delighted to Present this Spectacular Visual Art Exhibition.

‘Painting Ulysses’ comprises 18 magnificent paintings, depicting each of the 18 Episodes in James Joyce’s novel.  As each of Joyce’s episodes in ULYSSES was written in a different literary style, Hickey has designed each painting in a different visual style.

Exhibition continues from 10/02/2026 to 20/06/2026.

Portraits—The Failure of the State presents Brian Maguire’s portraits from three bodies of work that investigate the catastrophic impact of systemic violence without justice in Montana, United States; Bentiu, South Sudan; and Ciudad Juárez, Mexico. Maguire is an artist who looks outward, beyond the studio, engaging with the world and working in close dialogue with the families and communities of those erased, displaced, and forgotten by the failure of state institutions to serve and protect. 

Missoula Art Museum commissioned the portraits of Missing and Murdered Indigenous People of Montana for an exhibition titled Outrage and supported the project over five years.

Château La Coste, an emblematic location for contemporary art in Provence, is delighted to present Stranger, an exhibition of sculptures by Northern-Irish artist Colin Davidson, running from the 7th of March to the 22nd of June 2026 at Pavillon Renzo Piano, in the south of France.

Internationally recognised for his strikingly emotional portraits, Colin Davidson proposes a major evolution in his art practice with Stranger. This exhibition marks the first large presentation of his tridimensional artworks, while staying anchored in his engagement with paint as a tactile medium, sensible and expressive.

As Above, So Below explores painting as both material and metaphor. Built through layers, staining, transparency, and accumulation, the pigment spreads, settles, erodes, and condenses into abstract forms that suggest shifting relationships between atmosphere, landscape, and the body.

Drawing on organic, cellular, and meteorological structures, the paintings examine processes of transformation and exchange. Mineral-like surfaces and suspended gestures evoke systems that feel simultaneously microscopic and cosmic, bodily and environmental.

CHOKE : A meditation on grief and the alchemy of the abject.

Preview: 13th June 2026. 6-8pm

Artist talk and late opening: 17th and 18th June. 7-9pm

Open daily: 14-21 June. Open 3-6pm and by appointment.

This intimate, artist-initiated presentation of deeply personal new work coincides with Basel’s international art week, marking the culmination of a 3-month residency at Stiftung Bartels Fondation.

Choke dismantles the intellectual narratives we construct to distance ourselves from natural cycles, offering a poignant reminder that humans are animals, in all their frailty and beauty.

For more information, click here.

This intimate, artist-initiated presentation of deeply personal new work coincides with Basel’s international art week, marking the culmination of a 3-month residency at Stiftung Bartels Fondation.

Choke dismantles the intellectual narratives we construct to distance ourselves from natural cycles, offering a poignant reminder that humans are animals, in all their frailty and beauty.