A Myth of the Last Wolf is an exhibition by internationally renowned artist Karen Daye-Hutchinson. Each print in the show is a gateway into an imagined mythology. Animals appear as messengers or witnesses, their forms dissolving into human gestures and vice versa.

The landscapes they inhabit are fractured and dreamlike, haunted by traces of conflict, tenderness, and the slow erosion of time.

Karen Daye-Hutchinson studied Fine Art at the Art College, Belfast, and Manchester School of Art.

In 2021 she was elected a member of the Royal Society of Painter-Printmakers (ARE) and a member of the Royal Ulster Academy of Arts (ARUA).

Across Eurasia, Encountering Ulster – Lin Li Solo Exhibition – 4 Dec to 8 Jan 2026.

Exhibited works：
– Sláinte
– Tranquil Moment in Gleann na Srutha
– The Silence of Ghaibhóile
– Ten Minutes After Sunset, Béal Feirste
– Flowing Mountain Light, Aontroim
– Vortex of Bóthar na bhFál Dorcha
– Eternal Currents — Machaire Rabhartaigh Shore
– Golden Portaigh R-255
– Dathanna An Earagail (Colours of Errigal)
– Crimson Plateau of An Mhucais
– Somnolent Fever of a Dreaming Oileán Reachlainn
– Sleepwalking Dún Lúiche

This new body of work by Liudmila Kalinka explores clarity, calm, and joy through accepting thoughts, feelings, and sensations as a continuous flow of energy.

This exhibition, shaped by an intuitive process and based on personal experience, reflects an inner flow as a cycle of states that arise, dissolve, and renew. Each series grows from the previous one, as if one state naturally gives rise to the next and each piece is part of this unfolding process.

The work brings awareness into inner presence, showing how every moment, as it comes, becomes part of a path toward clarity and joy, revealing the beauty of simply being.

In this exhibition, Helen Merrigan Colfer explores a personal journey from childhood to adulthood in the ongoing search for belonging and self-acceptance.

Through emotionally resonant sculptures, Colfer reflects on the universal human desire to find one’s “Tribe.”

Audiences can expect totemic forms representing inner strength, transformation, and resilience. The works confront themes of conformity, identity, and personal power, moving through darkness and light.

As Colfer asks, “Is that journey complete or still underway?” the exhibition invites reflection, hope, and a sense of shared humanity.

In November 2025 Golden Thread Gallery will be presenting a new exhibition by artist Sharon Murphy, curated by Sarah McAvera.
Drawing from her background in theatre and shaped by influences from psychoanalysis and magic realism, Murphy’s work delves into theatrical settings, captured in moments of quiet and stillness. Through recurring symbols such as curtains, deserted stages, and performative environments, she investigates the thin line between illusion and reality, presence and absence.

The Border That Crossed Me is a multi-sensory collaborative exhibition exploring surveillance technology, border infrastructures, and climate-induced migration. This exhibition has been devised for the Golden Thread Gallery in collaboration with FLAX Artist Studios, Belfast and Azzedine Saleck. Presented in our Upper Gallery, The Border That Crossed Me examines the political and emotional geographies of divided territories across the globe.

Across Eurasia, Encountering Ulster – Lin Li Solo Exhibition – 4 Dec to 8 Jan 2026.

Exhibited works：
– Sláinte
– Tranquil Moment in Gleann na Srutha
– The Silence of Ghaibhóile
– Ten Minutes After Sunset, Béal Feirste
– Flowing Mountain Light, Aontroim
– Vortex of Bóthar na bhFál Dorcha
– Eternal Currents — Machaire Rabhartaigh Shore
– Golden Portaigh R-255
– Dathanna An Earagail (Colours of Errigal)
– Crimson Plateau of An Mhucais
– Somnolent Fever of a Dreaming Oileán Reachlainn
– Sleepwalking Dún Lúiche

This new body of work by Liudmila Kalinka explores clarity, calm, and joy through accepting thoughts, feelings, and sensations as a continuous flow of energy.

This exhibition, shaped by an intuitive process and based on personal experience, reflects an inner flow as a cycle of states that arise, dissolve, and renew. Each series grows from the previous one, as if one state naturally gives rise to the next and each piece is part of this unfolding process.

The work brings awareness into inner presence, showing how every moment, as it comes, becomes part of a path toward clarity and joy, revealing the beauty of simply being.

Exhibition continues from the 4th of December 2025 to the 29th of March 2026.

Each piece in the exhibition involves the artist intervening in some way on a found image. Although collage has long been part of Jeffers’ approach, both the disaster paintings and the intervention works differ from traditional collage: rather than cutting up found material for its colour or specific imagery, Jeffers uses the entirety of the original scene, adding a new element that completely alters the depicted narrative.

In this exhibition, Helen Merrigan Colfer explores a personal journey from childhood to adulthood in the ongoing search for belonging and self-acceptance.

Through emotionally resonant sculptures, Colfer reflects on the universal human desire to find one’s “Tribe.”

Audiences can expect totemic forms representing inner strength, transformation, and resilience. The works confront themes of conformity, identity, and personal power, moving through darkness and light.

As Colfer asks, “Is that journey complete or still underway?” the exhibition invites reflection, hope, and a sense of shared humanity.