What’s On around Ireland

Three of my sculptures selected for Eco Aware Art Gallery ® Art Gallery
Our Vision Is To Reduce Waste In world through Art. We promote Artwork Made by Waste ,Recycle , And Found Material.

https://visit.virtualartgallery.com/ecoawareartgallery

IMMA Collection: Art as Agency is a major three-year display celebrating IMMA’s Permanent Collection as a source of agency and knowledge. Featuring over 100 artists, from the 1960s to the present, it highlights key works, including many recent acquisitions. This ambitious exhibition invites engagement and research over time, allowing for a rich durational experience of Ireland’s Modern and Contemporary Art Collection.

Through thematic, chronological, geographical, and media-based approaches, the exhibition examines how artworks connect across time and contexts, fostering new interpretations and relevance. Works from the 1960s to the 1980s evoke the foundational story of the Irish art world. While acknowledging the context of the modernist, predominantly male dominance of that era, the exhibition also spotlights the material innovation and socially engaged practices of others who persisted despite the relatively conservative status quo.

The exhibition also presents more recent practice that explores urgent global themes such as gender, hybridity, cultural histories, de-colonialism, diaspora, migration, food injustice, climate, and ecological change. Memory, imagination, and storytelling play pivotal roles in these works, offering generative ways to process fragmentation, dislocation, and survival in unfamiliar spaces. New and existing works in the IMMA grounds will extend these themes.

The exhibition includes a specially created ‘white cube’ gallery space inspired by Brian O’Doherty’s renowned series of essays Inside the White Cube – The Ideology of the Gallery Space (1976), that critiques the auratic, market-driven effects of the white cube gallery format. Likewise the choice of works curated for this space pushes back by highlighting works by Post-War American women, pioneering conceptualist artworks by Marcel Duchamp and Brian O’Doherty as well as a contemporary feminist response by Andrea Geyer.

By interweaving historical and contemporary narratives, Art as Agency invites audiences to reflect on the evolving meanings and possibilities of art in shaping our understanding of and action in the world.

Entangled Life
Curated by Cristina Nicotra
May–December 2025

Entangled Life, supported by Community Foundation Ireland, is a programme exploring the deep connections between climate, society, and the ecosystems where art and community intertwine. This initiative unravels heterogeneous climate and social topics, by understanding ecology as a complex web of relationships—between humans, the more-than-human world, and political and natural environments.

Entangled Life aims to provide space to facilitate a network of relationships, collaboration and engagement within the community. Over the course of 8 months the project will bring together community participants, artists and experts – including Lisa Fitzsimons (Strategy and Sustainability Lead at Irish Museum of Modern Art), Eileen Hutton PhD (Head of Art and Ecology at Burren College of Art), and Gareth Kennedy (artist, lecturer and lead coordinator on NCAD FIELD) – for a series of monthly panel talks, workshops and artistic interventions at Pallas Projects, culminating in an exhibition in December 2025.

The project draws inspiration from Merlin Sheldrake’s book of the same name, which explores the interconnected mycelium worlds that allow for unexpected possibilities, and Joanna Macy’s principles of ‘Active Hope’, which emphasize knowledge, compassion and action. With the final goal of promoting a decarbonised future, the project explores the links between climate issues and society, and shows how they are relevant in our daily life and our community.

The events series will provide diverse perspectives and room for direct interaction among participants through a non-linear, non-hierarchical approach, fostering exploration and critical thinking, considering mental wellbeing. This multidisciplinary initiative feeds the need to provide opportunities for influencing and activating change effectively. It allows the community to learn about climate issues, react, and co-create diverse, dynamic and unpredictable connections and inspirations. Feedback and reactions collected throughout the programme will be compiled into a toolkit report.

In all, seven topics will be unravelled and discussed through open panel discussions, workshops beginning with The Art of Just Transition on Wednesday 14th of May, with Rachel Fallon, Artist; Dr Egle Gusciute, Assistant Professor in Sociology, UCD; and Michelle Murphy, Research & Policy Analyst with Social Justice Ireland and member of Just Transition Commission.

Events Schedule

14th May The Art of Just Transition (Talk)

11th June Discovering biomaterials in art and society (Talk)

9th July Art and biomaterials (Workshop)

3rd September Beyond Words: communicating sustainability (Talk)

1st October Intersectionality in art and climate (Talk)

29th October Climate and Art: programming & advocacy (Talk)

27th November Entangled Life (Exhibition opening)

3rd December Climate crisis and mental health (Workshops)

17th December Climate activism and socially engaged art (Talk)

Events take place Wednesdays, 6–8pm. Participants are welcome to attend some or all events. Places can be booked via Eventbrite, but there will be a places for walk-ins subject to availability

IMMA presents a solo exhibition by Sam Gilliam (1933 – 2022), one of the great innovators in post-war American painting, co-organised with the Sam Gilliam Foundation. Emerging in the mid-1960s, his canonical ‘Drape’ paintings merged painting, sculpture, and performance in conversation with architecture in entirely new ways. Suspending unstretched lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed.

Sewing Fields highlights Gilliam’s connection to Ireland, where a transformative residency at the Ballinglen Arts Foundation in the 1990s reshaped his artistic practice. Gilliam embraced new materials, working with pre-stained fabrics that he had shipped to Ireland, cutting and layering them into sculptural compositions. A collaboration with a local dressmaker further expanded this process, reinforcing his innovative fusion of painting and textile techniques.

The dramatic, undulating forms in his work resonate with the vastness and wildness of the Irish coast, featuring loose, flowing compositions that reflect the organic and unpredictable nature of the land and sea. Gilliam’s signature vibrant colour fields were influenced by the unique Irish light, resulting in atmospheric, almost translucent hues. By moving away from the rigid geometry of modernism, Gilliam’s work in Ireland fostered an intuitive dialogue with the surrounding environment, celebrating the physicality of painting and the emotional resonance of place through abstraction and materiality.

This exhibition continues IMMA’s engagement with artists whose work has received renewed attention and accolades in recent years that has included Howardena Pindell (2023), Derek Jarman (2019), and Frank Bowling (2018).

‘Art in Motion’ Exhibition to Open at Baile Mhuire Day Centre.

Tralee Art Group is delighted to announce their latest collaborative exhibition, ‘Art in Motion’, which will be officially opened on Tuesday, June 17th at 2.30pm at Baile Mhuire Day Centre, Balloonagh, Tralee. The opening will be led by special guest Paddy Garvey, Chairperson of Baile Mhuire, and all are welcome to attend. Guests can enjoy an afternoon of art, music and refreshments in a warm and inclusive setting.

This special exhibition is the result of a unique collaboration between members of Tralee Art Group and the clients of Baile Mhuire Day Centre, showcasing the creative energy and expression of both groups. Featuring a variety of works in different media, styles and subjects, Art in Motion celebrates movement, creativity, and community spirit.

TAG is committed to enriching the cultural life of Tralee and surrounding areas. The group regularly holds exhibitions, workshops, and community projects, and has built strong relationships with local organisations—including an ongoing volunteering partnership with Baile Mhuire.

This exhibition reflects that partnership, with art created not only by TAG members but also by clients of the Day Centre who engage weekly in creative workshops facilitated by the group volunteers from Tralee Art Group. The result is a joyful and inspiring collection of artworks, each piece telling its own story of imagination, connection, and collaboration.

All are welcome to attend the opening and celebrate this uplifting display of artistic expression in our community. The exhibition will run for a year and be available to the public weekdays between 4pm and 5pm.

Exhibition continues from the 13th of June to the 4th of January 2026

An exhibition of rarely seen artworks by internationally important Japanese war photographer Akihiko Okamura, documenting his relationship with Ireland during the Troubles. 

From the late 1960s to the early 1980s, Japanese war photographer Akihiko Okamura (1929-1985) created a powerful and largely unseen collection of photographs in Ireland, both north and south. 

After covering the Vietnam War, Akihiko Okamura visited Ireland in 1968 drawn by the connection to John F. Kennedy’s family roots. A year later, he moved to Ireland with his own family and stayed until his sudden passing in 1985. During that time, he captured everyday life with his family and the conflict in Northern Ireland, known as the Troubles.

Okamura’s photographs have rarely been seen before, and show a unique artistic view of Ireland at this time. What makes his work stand out is that he chose to make Ireland his home. Among all the international photographers working at that time, Okamura stood out for his commitment to the history of Ireland and Northern Ireland.

Since he became so closely connected to what he was photographing, Okamura created innovative images in both his own style and how the Troubles were shown through photography. His profound, personal relationship with Ireland allowed him to develop a new method of documenting conflict: poetic and ethereal moments of peace in a time of war.

Akihiko Okamura: The Memories of Others is now open in Art Gallery 4, Ulster Museum. No booking needed. 

The Memories of Others is a Photo Museum Ireland touring exhibition. Curated by Pauline Vermare, Seán O’Hagan, Masako Toda, Brendan Maher and Trish Lambe, with the support of the Estate of Akihiko Okamura, it premiered at Photo Museum Ireland in 2024. It opened in Belfast during Belfast Photo Festival.

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Pollanroe Burn or An Pollán Rua – the little red pool – unfolds through a series of new films and archival fragments, forming part of artist Emily McFarland’s ongoing long-term research into the shifting ecology of the Sperrin Mountains of West Tyrone, in the North of Ireland, in the shadow of proposed major industrial-scale gold extraction. The project asks: How can we cultivate modes of thinking that allow intellect and empathy to apprehend the long-standing and delicate connections between humans and their environments?

Launching: Saturday 27 September 2025 at Void Art Centre, 6-8pm

VISUAL is pleased to present Acts of Creation: On Art and Motherhood. This landmark touring exhibition has been conceived by Hettie Judah in collaboration with Hayward Gallery Touring. Following a successful tour of the UK, Acts of Creation comes to VISUAL augmented by the inclusion of works from Irish artists and collections.

Spanning all of VISUAL’s galleries, Acts of Creation presents work in painting, drawing, sculpture, film, photography and sound that speaks to the experience of motherhood in all its complexity. At VISUAL, an accompanying in-depth learning programme will respond to the exhibition’s themes and works. A reading area, a reflection space and specialist workshops and tours will further provide visitors with ways to engage with the ideas and experiences reflected in this powerful exhibition.

Acts of Creation: On Art and Motherhood plunges into the joys and heartaches, mess, myths and mishaps of motherhood through over 100 artworks, from the Women’s Movement of the 1960s and 70s to the present day.
While the Madonna and Child is one of the great subjects of European art, we rarely see art about real motherhood, in all its complexity. Acts of Creation addresses this blind spot in art history, asserting the artist mother as an important cultural figure.
How does the image of motherhood change when the artist is drawing on lived experience? What is made visible? What challenges are levelled at motherhood as an institution through which the mother is idealised as self-sacrificing, wholesome, tireless and uncomplaining?
Diverse experiences are explored across four thematic displays. Creation looks at conception, pregnancy, birth and nursing. It imagines motherhood as a creative act, albeit one in which joy might be tempered with anxiety, pain and exhaustion.
Maintenance is dedicated to the ongoing work of motherhood and caregiving in the day-to-day. Here we find artists engaged in domestic chores, keeping children safe, and navigating a balance between art and parenting.
In Loss artists reflect on experiences of miscarriage, adoption and involuntary childlessness. Works in this section also protest the loss of women’s reproductive rights.
The Temple is a series of self-portraits in which artists explore their own identity in relation to motherhood. For decades women were told they could not be both an artist and a mother. These portraits stand in defiance of that idea.

This exhibition features artworks that include nudity and explore childbirth, (in)fertility, miscarriage, abortion, loss and domestic abuse.

William McKeown made paintings, drawings, prints and installations that captured the openness and life-enhancing power of nature.
Guided by a belief in the primacy of feeling, his paintings often appeared at first to resemble objective minimalism or the monochrome. Yet they offered much more: nature as real and tangible, all around us, something to be touched and felt.
Each painting is slightly off square, undermining the perfection of geometry, and scaled roughly to the size of the human chest, as if mirroring the capacity of our lungs to breathe in air.

Picasso lived surrounded by his art. His personal life and his work, his homes and his studios were always intimately linked. The exhibition places Picasso in the context of his studios, highlighting the various facets and phases of his art and life. It will explore the key locations that defined him, from his arrival in Paris at the start of the twentieth century to his studio in Mas Notre-Dame de Vie (1961-1973) in Mougins. The exhibition will feature paintings, sculptures, ceramics, and works on paper, as well as photographic and audio-visual works.

Sea Skin features a tactile soft sculpture inspired by the experience of sea swimming and encounters beneath the ocean’s surface.

Drawing from site visits to the islands of West Cork, the textures and colours of the piece reflect the diverse types of seaweed that embrace the coastal landscape.

The installation invites viewers to engage with the textile sculpture, as soft, airy fabrics gently brush against your skin, encouraging tactile exploration through hand-sewn strands.

LAST ACT at The MAC, Belfast is a synchronized video installation by artist Marie Hanlon and composer Rhona Clarke. The work presents climate change as something both real and abstract, as such it mirrors the human response to a changing earth. Visual imagery draws on footage of real weather events, sequences are coordinated to make them different from daily media reportage. Opening and closing sections allude to industry and rise of emission levels following the industrial revolution. Rhona Clarke’s choral music takes its text from the latin poem Dies Irae, referencing the final judgement.

Curated by Emer McGarry.

The exhibition spans installation, film, drawing, and sculpture, with works by Marcus Coates, Miriam de Búrca, Susan Hiller, Anna Maria Maiolino, Kathy Prendergast, Cornelia Parker, and the collaborative research project Selvagem – Cycle of Studies. Each proposes different strategies for navigating what we inherit and what we pass on.

A celebration of the artists’ process and practice, this exhibition brings together a selection of her paintings, notebooks and sketchbooks, enabling the viewer engage with a range of works inspired by the artists’ interests and travels as well as her methodologies.

Flannery’s paintings emerged from her deep connection and study of the natural world and from the very different landscapes that she immersed herself in. From her home in Carlow, to Waterford, Wexford, Mayo and further afield in places such as Yamba, New South Wales, Flannery distilled landscape, sky, sea and land.

Join us for a relaxed coffee morning tour of Inheritance. An exhibition that explores the legacies shaping our present and asks how we might create better futures for humanity.

Led by a member of our team, this easy going tour is perfect for all art enthusiasts. After the tour, enjoy further conversation over a complimentary tea or coffee. We’d be delighted to welcome you to this informal and friendly tour experience.

Every second Thursday, 11.30am
€6 pp

Tour Dates

Thu. 23 & 30 October
Thu. 13 & 27 November
Thu. 4 & 18 December

Vague Symptom Clinic considers Ireland’s legacies of colonialism, partition, and state violence, and their relationship to intergenerational trauma and inherited chronic illness. The title is taken from the real-life NHS clinic that attempts to identify origins or causes of a range of indicators of disease, including weight loss, fatigue, brain fog and night sweats. Ó Dochartaigh makes sculptural installations with materials including blown glass, silicone, ice, lard, metal, diagrammatic images, sound recordings, electronic components and medical tools made of ceramic, marble, and granite.

The Office of Public Works (OPW) and Pearse Museum are proud to present a major retrospective of the work of Irish wood sculptor Liam Roe (1935–2010), running from 1 November 2025 to 1 February 2026.

Roe spent his life cultivating the craft of wood sculpture, developing his practice over several decades. He worked primarily with oak, walnut, Spanish chestnut, elm, yew and lime, creating human and animal forms that reflected both Irish cultural memory and everyday experience. His work explored themes of history, mythology, music, faith, the natural world, and the bond between mother and child.

Born in Marino, North Dublin, Roe began carving in his twenties. In 1962, he travelled to Oberammergau, Germany, to study traditional woodcarving, and later attended night classes at the National College of Art and Design (NCAD). He held his first solo exhibition in 1963 at Brown Thomas, Dublin.

Roe played a significant role in preserving traditional woodcarving in Ireland. He contributed to teaching at the National College of Art and Design (NCAD), where his deep knowledge and practical skill were respected by students and colleagues alike.

This exhibition, organised in partnership with the OPW, brings together a wide selection of Roe’s sculptures, many of which have never before been shown publicly.

Image: “Cut-out lady” in sycamore (1972)”

Public Opening: Sat 1st Nov, 6pm

This exhibition marks 15 years of the Emerging Visual Artist Solo Exhibition Bursary Award, a partnership between Kildare County Council Arts Service & Riverbank Arts Centre. Pattern Recognition: Architectures of Seeing brings together the work of 15 artists who have shaped the visual landscape of County Kildare.

Curated by Paula Barrett, featuring artists Martina McDonald, Noel Hensey, Brian Cregan, Mary-Jo Gilligan, Isobel Egan, Denis Kelly, Marta Golubowska, Brenda Kearney, Michelle McBride, Caoimhe McGuckin, Shane Hynan, Katie Whyte, Gavin Casey, Kym Tracey, and Fiyin Oluokun.

Image: Michelle McBride

Exhibition continues from the 1st of November to the 31st of January 2026

Opening reception Thursday 06 November 5.30-6.30pm

The Winter Exhibition is a seasonal showcase of the best in Irish art, craft and design including paintings, prints, sculpture, ceramics, textiles and much more, with prices to suit every budget in the run-up to Christmas and into the New Year. Support local artists and makers as well as Lavit Gallery, a not-for-profit arts organisation and registered charity. Each year the exhibition features work by over 50 artists and makers including regular contributors and new additions.

Exhibition continues from the 19th of September to the 22nd of January 2026

Group exhibition showcasing artwork from the Waterford Art Collection as well as loans, commissions and open call submissions inspired by our relationship with the sea. Artists include Killian Browne, Maura Culbert, Mick O’Dea, Phoebe Donovan, Paul Henry, Jane Jermyn, Patrick Leonard, Tanja Novacic, Eilis O’Toole, Clare Scott, John Skelton, Jack Thompson, Síle Walsh and more.

Exhibition continues from the 2nd of October to the 14th of February 2026

Exhibition of paintings from over five decades of work by the prolific Irish painter, Michael Cullen (1946-2020). Cullen, a member of the Irish Academy of the Arts, Aosdána, was prominently associated with the Independent Artists and the Neo-Expressionist movement in Ireland in the 1980s and early 1990s.

The celebrated watercolour artist, Barbara Allen, returns home for exceptional new show at ArtisAnn Gallery in Belfast.

She is a six-time winner of the Watercolour Prize at the Royal Ulster Academy.

She has exhibited extensively including at the White House and at Bergen in Norway. Her work is held in many important collections, including the Arts Council of Northern Ireland, National Self Portrait Collection of Ireland, Invest NI and the Royal Norwegian Embassy in London.

Gary Shaw’s large watercolours are composed of thousands of individual brushstrokes – small, repeated hand gestures that build a quiet sense of order. The repetition recentres the artist and draws the viewer in and out of focus, eyes falling into the mesh of marks, then pulling back to take in the whole.

Gary Shaw has a Bachelor of Arts (Fine Arts) from the South Australian School of Art and an MFA from Belfast School of Art. His work has been shown in the US, Canada, China, Indonesia, Australia, Germany, Spain and the UK. In Northern Ireland, he has had numerous exhibitions including at PS2, Fenderesky Gallery and Queens University.

As part of Dublin Gallery Weekend, 6-9 October 2025, TØN is delighted to present an exhibition where contemporary art meets contemporary craft.
LUMEN is an exhibition of works by Gildas O Laoire and Mark Redden. Combining painting, sculpture, design, and furniture, they express the solace of living with art and the luminous effect art has on life. The viewer is prompted to examine the objects closely, drawn into a fourth dimension through the layers of paint or the myriad of details of wood grain. Light and movement are integral to the work of both artists.

The exhibition is typically interdisciplinary and features a collection of works which reflect the artist’s interest in 3D graphics, networked technologies and the mechanics of image production. ASSETS is Alan Butler’s second solo exhibition since his debut here in 2017, and since then, his work has been the subject of over one hundred exhibitions at galleries, museums and festivals around the world.

Cork County Council’s LHQ Gallery presents the now annual Open Call Winter Exhibition which will run throughout November and December 2025. 76 works from 71 Cork-based artists will be presented in Cork County Council’s LHQ Gallery in the County Library. You are warmly invited to the opening on Friday, the 7th of November from 6-8pm.

Exhibition Launch: Friday 7th November at 6pm 

Both shows present the perfect opportunity to support local artists and purchase unique artworks as unforgettable Christmas gifts.

Exhibition Launch: Friday 7th November at 6pm

The Pavestone Collective was established in October 2011, by clients who attend the Pavestone Centre, Coleraine. The collective was created through ‘Leisure Quest’, a programme designed to rehabilitate adults with physical or mental health conditions. Members of the Pavestone Collective have met to produce creative art for many years embracing all forms of visual arts for self-expression, skills development, and therapeutic value.

This is the first solo exhibition by renowned artist, poet and activist Cecilia Vicuña in Ireland. For this exhibition Vicuña’s delves into themes of ancestry, ecological urgency, and the interconnectedness of humanity inspired by the discovery of her ancient ties to Ireland.

We’re proud to present the Irish premiere of The Empathy Machine at Photo Museum Ireland. Maija Tammi is known for her radical storytelling through the medium of video, photography and installations. This acclaimed work offers audiences a rare chance to engage with Tammi’s unique exploration of empathy, emotion, and human connection through the lens of contemporary photography.

Exhibition on show from 8 November 2025 – 1 February 2026

Exhibition continues from the 1st of November to the 31st of December 2025

Energetic Labyrinths is a vivid exploration of movement, consciousness, and creative power through the work of Clare O’Connor — an award-winning multidisciplinary artist and designer whose practice spans abstract painting, printmaking, photography, and wearable art. Rooted in her fascination with the labyrinth as a symbol of the inner world, this exhibition reflects Clare’s long-standing interest in self-development, personal navigation, and empowerment. Her art — described as energetic, tactile, and multi-dimensional — offers more than visual stimulation; it opens a space for reflection, mindfulness, and transformation.

Exhibition continues from the 8th of November 2025 to the 28th of February 2026

Jack Butler Yeats (1871–1957) is one of Ireland’s most celebrated twentieth-century artists. The Niland Collection, housed at The Model, holds an extensive body of his work spanning the full arc of his career – from early pen-and-ink illustrations and lively watercolours, to the expressive oil paintings that define his mature style. ‘A Painted Universe’ invites visitors to step into Yeats’s artistic world, where memory, emotion and experience are transformed into colour, form and light.

Súil’s inaugural annual open featuring works from across the spectrum of creativity, including, painting, photography, print, drawing, textiles and craft.

The CCI is delighted to present a selection of works from Daragh Soden’s latest series of large-format portraits, Ladies & Gentlemen, which raises questions around gender roles, photographer-subject relationships and performative expressions of identity. 

Opening Reception — 14th November, 6-8pm.

Performance — 15th & 22nd November, 1pm.

STAC Chapel Installation — 18th – 21st November, 11am-4pm.

‘Moving Through Things’, a new exhibition and performance by Elaine Grainger traces sequences of movement across three interwoven sites: Slievenamon mountain, STAC Gallery, and STAC Chapel. Drawing on the mountain’s historic cursus — a pathway once used for procession and ritual — the work explores how motion accumulates meaning, absorbs time, and dissolves boundaries between self, place, and ritual. It considers movement not as transit, but as a sustained form of attention.

The Model is delighted to present once more The Sunset Belongs to You – a series of portraits commissioned from two of Irelands most distinguished painters, Mick O’Dea + Geraldine O’Neill. The portraits capture young people from diverse backgrounds living across County Sligo, and were painted between 2022–23. Looked at together, they provide a hopeful glimpse into the Ireland of the future.

Penti Menti at Uillinn: West Cork Arts Centre is Sarah Dwyer’s first institutional exhibition in Ireland. Born in Cork, Dwyer has a significant international profile. The artist frequently combines drawing with painting, printmaking and sculpture, employing exuberant colour palettes and lively mark-making to depict semi-figurative and abstract imagery. Taking cues from Surrealism, Cobra and Abstract Expressionism, her practice explores image and form through the iterative nature of storytelling and poetry. Dwyer’s dynamic compositions process her own surroundings and the everyday experience—while also indulging our desire for play.

Droichead Arts Centre is delighted to announce its partnership with fellow North East Network members, Solstice Arts Centre, Navan, and An Táin Arts Centre, Dundalk, in a unique extension of Solstice’s annual selected survey of local professional arts practice.

North East Network supports, values and encourages visual artists in the North East to develop their practices and creative careers. The exhibition presents an overview of contemporary visual arts practice in County Louth and Meath. There will be a visual arts award of €2,000 selected by each curator in each arts centre.

Continues from the  12th of November to the 21st of December 2025

J Hill’s Standard, one of Ireland’s most celebrated craft and design houses, will curate and manage Form & Fable, a pop-up store at Wilton Park that celebrates Irish craftsmanship, design, and creativity.

In partnership with IPUT Real Estate, Form & Fable is a six-week retail residency running from Wednesday 12 November to Sunday 21 December, bringing together a carefully curated collection of Ireland’s most skilled makers.

Every piece on display — and available for purchase — has been designed in Ireland, is rooted in tradition and elevated by contemporary design.

Exhibition continues from the 15th of November to the 20th of December 2025.

For this exhibition at Ballina Arts Centre, Helen Hughes presents a new body of work. Here she has limited her wide range of her materials to just three – rubber, plastic and expanding foam. This new work was influenced by the unique setting of this gallery – the strong presence of moving water, its proximity and imposing energy pervading the interior spaces. Her starting point for this work was a series of floatation devices from which the works evolved.

Limerick City Gallery of Art (LCGA) is delighted to launch a new exhibition entitled SORE SPOT, by artists Helen O’Leary and Eva O’Leary. This exhibition features works that, when combined, aim to find moments of clarity and connection between different media – paint and photography. Together, through works considering fragmentation and cohesion, they offer a meditation on care, resistance, and the stubborn hope that emerges from making sense of a broken world.
SORE SPOT notes the distance between both artists as mother and daughter — geographic and generational.

Alex de Roeck’s ‘Debt Wish’ examines an indulgence in wellness and self-optimisation in a culture where lifestyle, value and identity are endlessly renewed, quantified and consumed.

21 Nov, 2025 – 21 Dec, 2025

Hymn to Him is a guilty pleasure, a sustained glance at the relationship between the unstable and convoluted lives of artists and the composed stillness of the characters they create. In her painting and photographic work, she lingers on the surfaces of things – bellies, primroses, house keys, vegetables. Costello inserts herself into her compositions and, as her own model, she remains in control of both sides of the canvas.

Backwater Artists Group is delighted to present “In the Presence of Beings”, a solo exhibition by studio member, Seán Hanrahan. This new body of work takes its inspiration from ‘Visions of Genius,’ a major Hieronymus Bosch exhibition in his native city, ‘s-Hertogenbosch, Netherlands, which Hanrahan visited in 2016. The Haywain triptych in particular captivated Hanrahan and sparked an interest in ontology, the branch of metaphysics dealing with the nature of being.

Limerick City Gallery of Art (LCGA) is delighted to launch SORE SPOT, by artists Helen and Eva O’Leary. This exhibition features works that, when combined, aim to find moments of clarity and connection offering a  meditation on care, resistance, and the stubborn hope that emerges from making sense of a broken world.

SORE SPOT notes the distance between both artists as mother and daughter — geographic and generational, a map of crossings.  It’s about what the hands can make when words fail, how materials can offer a kind of reconciliation — or at least a pause in the noise.

This exhibition presents a series of charcoal drawings by Lelia Henry that explore the intelligence, memory, and emotional presence of trees, inspired by the groundbreaking research of forest ecologist Suzanne Simard.
The drawings focus on the visible forms we encounter every day – each drawing treats the tree as an individual with its own character. The works ask what it means to recognise familiar emotions and gestures in non-human forms. The forest becomes a mirror for human presence. The drawings invite viewers to slow down and engage with the trees around them, as companions in the landscape, each with their own story.

Ormston House presents ‘Table Turning’, a solo exhibition by Susan MacWilliam.

Since 1997, Susan MacWilliam has had an ongoing fascination with how humans have sought to document and quantify the spirit realm. She explores the study of psychic phenomena by drawing from printed archives, scientific apparatus, and interviews with experts.

This exhibition of new work has emerged out of the cutting, stitching, and moulding of paper, felt, and clay. For MacWilliam, “the realisation of ideas and objects in the studio” is akin to “the manifestations and materialisations of the séance room”.

Ormston House is open Wednesday to Saturday, 12–6pm.

Waking the Land is a collective based in Leitrim. Our five members are Tara Baoth Mooney, Shane Finan, James Kelly, Laura McMorrow, and Sonya Swarte. We collectively occupy an artist-led studio and experimental space in Manorhamilton that opened in September 2022. Over the past three years, we have led events in north Leitrim in response to environmental grief, care, and tending to the land.

Opening 3.00pm – 5.00pm Saturday 22nd November. All Welcome. Butler Gallery is very pleased to present a solo exhibition by the Kinsale-based artist Brian Harte. This solo exhibition comes at a pivotal point in Harte’s career and is his first museum exhibition in Ireland. For the past nine years his career has focused on international commitments. Harte creates paintings that deconstruct interior settings which embrace components from his own domestic family life. This exhibition invitation has allowed the artist to step back from commercial gallery demands to reflect and experiment.

In November 2025 Golden Thread Gallery will be presenting a new exhibition by artist Sharon Murphy, curated by Sarah McAvera.
Drawing from her background in theatre and shaped by influences from psychoanalysis and magic realism, Murphy’s work delves into theatrical settings, captured in moments of quiet and stillness. Through recurring symbols such as curtains, deserted stages, and performative environments, she investigates the thin line between illusion and reality, presence and absence.