Exhibition runs 05/09/26-04/10/26.

In Ga (Radius), Donegal-based artist Sinéad Walsh explores the ways in which a sense of place is formed through memory, folklore, language and encounters with the natural world. Rooted in the coastal landscape of Donegal, the exhibition brings together sculpture, found objects, drawing and mixed-media. Recycled and natural materials are transformed, reinterpreted and given new possibilities. Ordinary things become curious objects; fragments suggest stories; familiar forms shift into something less certain. Sinéad is drawn to states of transition: the point where land meets water, waking meets sleep, and the everyday becomes strange.

Exhibition runs 05/09/26-04/10/26.

Yulia Gasio is a Ukrainian-born artist from Luhansk, now based in California, whose practice explores landscape, displacement, contested borders, and cultural memory. During her residency at Artlink in summer 2026, she developed this series of intimate gouache paintings responding to the landscape of Inishowen and its histories of defence, migration and occupation. Yulia is an Assistant Professor of Art at California State University, Long Beach and a PhD candidate at UCLA. Her work draws connections between places shaped by histories of conflict and transformation.

“SEANSCÉALTA, GUTHANNA BEO, What Still Lives Here” is solo exhibition by Justine G. Cappelli exploring Irish mythology as living material, continually retold, reinterpreted and reshaped.

The exhibition brings together watercolour and metallic leaf paintings inspired by the Mythological, Ulster and Fenian Cycles, alongside real testimonies about what Irish mythology means to people today, through identity, belonging, memory, migration and personal experience.

Opening at the Garage Theatre, Monaghan, on 2 September at 6.30pm, with an opening talk by Dr Lauren Cassidy at 7pm. The exhibition runs until 30 November 2026.

Exhibition runs 05/09/26-04/10/26.

In Ga (Radius), Donegal-based artist Sinéad Walsh explores the ways in which a sense of place is formed through memory, folklore, language and encounters with the natural world. Rooted in the coastal landscape of Donegal, the exhibition brings together sculpture, found objects, drawing and mixed-media. Recycled and natural materials are transformed, reinterpreted and given new possibilities. Ordinary things become curious objects; fragments suggest stories; familiar forms shift into something less certain. Sinéad is drawn to states of transition: the point where land meets water, waking meets sleep, and the everyday becomes strange.

Exhibition runs 05/09/26-04/10/26.

Yulia Gasio is a Ukrainian-born artist from Luhansk, now based in California, whose practice explores landscape, displacement, contested borders, and cultural memory. During her residency at Artlink in summer 2026, she developed this series of intimate gouache paintings responding to the landscape of Inishowen and its histories of defence, migration and occupation. Yulia is an Assistant Professor of Art at California State University, Long Beach and a PhD candidate at UCLA. Her work draws connections between places shaped by histories of conflict and transformation.

Official opening 7pm on Friday the 18th September 2026.

A Sculpture and Print Exhibition by Ben Reilly.

An armada of raft-like sculptures and swaying limbs glide through the Townhall Art Centre Gallery. Floating raft-like islands are surrounded by angular, tree-like sculptures that sway overhead and reach towards the ceiling. These are accompanied by etchings and individual cast-tin relics.
Drawing, research and observation are at the core of the working methods behind this exhibition. Just as the practical process involves cutting, shaping, refitting, chopping and changing, so too does the research that informs the sculptures, etchings and casts.

SHIFT Reflections of unknowing. Paintings by Patrick Conyngham
29 Sept – 9 Nov 2026
The paintings are in the hidden language of change and its numerous manifestations and
are an assimilation of that process in all its mystery. Sometimes the sources are known,
sometimes they are not, but either way they become part of the painting. They are a visual
diary with markers or indicators that occur naturally working with a mix of intention and
intuition. Colour is used to heighten sensation and with the aim of a raw dynamic, they come
into being sequentially and organically. They are an interpretative filtering of the world and
universe around us.