What’s On around Ireland

IMMA Collection: Art as Agency is a major three-year display celebrating IMMA’s Permanent Collection as a source of agency and knowledge. Featuring over 100 artists, from the 1960s to the present, it highlights key works, including many recent acquisitions. This ambitious exhibition invites engagement and research over time, allowing for a rich durational experience of Ireland’s Modern and Contemporary Art Collection.

Through thematic, chronological, geographical, and media-based approaches, the exhibition examines how artworks connect across time and contexts, fostering new interpretations and relevance. Works from the 1960s to the 1980s evoke the foundational story of the Irish art world. While acknowledging the context of the modernist, predominantly male dominance of that era, the exhibition also spotlights the material innovation and socially engaged practices of others who persisted despite the relatively conservative status quo.

The exhibition also presents more recent practice that explores urgent global themes such as gender, hybridity, cultural histories, de-colonialism, diaspora, migration, food injustice, climate, and ecological change. Memory, imagination, and storytelling play pivotal roles in these works, offering generative ways to process fragmentation, dislocation, and survival in unfamiliar spaces. New and existing works in the IMMA grounds will extend these themes.

The exhibition includes a specially created ‘white cube’ gallery space inspired by Brian O’Doherty’s renowned series of essays Inside the White Cube – The Ideology of the Gallery Space (1976), that critiques the auratic, market-driven effects of the white cube gallery format. Likewise the choice of works curated for this space pushes back by highlighting works by Post-War American women, pioneering conceptualist artworks by Marcel Duchamp and Brian O’Doherty as well as a contemporary feminist response by Andrea Geyer.

By interweaving historical and contemporary narratives, Art as Agency invites audiences to reflect on the evolving meanings and possibilities of art in shaping our understanding of and action in the world.

‘Art in Motion’ Exhibition to Open at Baile Mhuire Day Centre.

Tralee Art Group is delighted to announce their latest collaborative exhibition, ‘Art in Motion’, which will be officially opened on Tuesday, June 17th at 2.30pm at Baile Mhuire Day Centre, Balloonagh, Tralee. The opening will be led by special guest Paddy Garvey, Chairperson of Baile Mhuire, and all are welcome to attend. Guests can enjoy an afternoon of art, music and refreshments in a warm and inclusive setting.

This special exhibition is the result of a unique collaboration between members of Tralee Art Group and the clients of Baile Mhuire Day Centre, showcasing the creative energy and expression of both groups. Featuring a variety of works in different media, styles and subjects, Art in Motion celebrates movement, creativity, and community spirit.

TAG is committed to enriching the cultural life of Tralee and surrounding areas. The group regularly holds exhibitions, workshops, and community projects, and has built strong relationships with local organisations—including an ongoing volunteering partnership with Baile Mhuire.

This exhibition reflects that partnership, with art created not only by TAG members but also by clients of the Day Centre who engage weekly in creative workshops facilitated by the group volunteers from Tralee Art Group. The result is a joyful and inspiring collection of artworks, each piece telling its own story of imagination, connection, and collaboration.

All are welcome to attend the opening and celebrate this uplifting display of artistic expression in our community. The exhibition will run for a year and be available to the public weekdays between 4pm and 5pm.

This is the first solo exhibition by renowned artist, poet and activist Cecilia Vicuña in Ireland. For this exhibition Vicuña’s delves into themes of ancestry, ecological urgency, and the interconnectedness of humanity inspired by the discovery of her ancient ties to Ireland.

Pallas Projects/Studios are delighted to announce the participating artists in our Arts Council funded programme of Artist-Initiated Projects 2026. The series will be part of a programme celebrating 30 years of Pallas Projects/Studios. Between January–December 2026 we will present 8 x 3-week exhibitions of new work by:

Paddy Critchley, Fiona Marron, Finn Nichol, Emma Brennan and Thomas Wells, Ciara Rodgers, Struàn Bell, Christopher Mahon, neonatus.exe

Exhibition continues from 05/01/2026 to 31/07/2026.

To mark the 100th anniversary year of the publication of James Joyce’s masterpiece “ULYSSES”, the Irish Cultural Centre is delighted to Present this Spectacular Visual Art Exhibition.

‘Painting Ulysses’ comprises 18 magnificent paintings, depicting each of the 18 Episodes in James Joyce’s novel.  As each of Joyce’s episodes in ULYSSES was written in a different literary style, Hickey has designed each painting in a different visual style.

VISUAL is pleased to present DRILL, newly commissioned exhibition of moving image and sound installation by Naomi Sex. Working with both professional and non-actors, Sex has written and directed a series of scripted performances. These vignettes consider language, social interaction, absurdity and the limits of understanding. DRILL comprises a series of monitors, speakers and projectors, which present each piece as distinct but interrelated episodes, linked to each other in an installation that places the viewer in the centre of the work.

VISUAL is pleased to present Interloper, the first project by Anne Hardy in Ireland. For this exhibition of existing and newly commissioned works, Hardy has responded to the distinct architecture of VISUAL; the concrete and glass of the Link Gallery and its connection to the ornamental pond seen through the large windows, and the blank canvas of the Studio Gallery’s white cube design and its heavily patinated floor. Interloper marks a continued evolution in Hardy’s practice.

“Now now” by Andy Fitz uses language to record a passing moment in time. An out-of-date present is rearranged in minute detail as though the process might reveal something. Time remains static – the food never grows mouldy. Unremarkable domestic objects are balanced across the gallery in precarious abstraction from their usual surroundings. “Now now” is also a phrase whose function and meaning is dependent on tone; it can be understood as a warning, or a consolation. The sculptures build on these unresolved tensions; the personal in the political, the present in light of the past.

Exhibition continues from 30/01/2026 to 08/11/2026.

To celebrate our 75th anniversary, the Lyric presents this new exhibition that showcases our rich history. A history which includes an art gallery (The New Gallery, 1963–1969), a literary magazine Threshold (1957–1990), a dance centre, a drama school, Belfast’s first music academy, and of course, a theatre.

Click here to view the full programme

This exhibition presents a selection of both historic and newly acquired abstract artworks from the permanent Waterford Art Collection. Alongside artworks can also be found archival information, newspaper cuttings, and descriptions from the artists themselves, as well as critique by a cross-section of individuals invited and interested in demystifying this still often divisive visual language.

Artworks on show by: Arthur Armstrong, Shelia Naughton, Colin Middleton, Aidan Dunne, Phoebe Donovan, Julie Cusack, Anne Yeats, Susan Connolly, Ciara Rodgers, Jonathan Wade, Susan Montgomery, Darragh Lyons, Evie Hone, John McHarg and more…

Exhibition continues from 10/02/2026 to 20/06/2026.

Portraits—The Failure of the State presents Brian Maguire’s portraits from three bodies of work that investigate the catastrophic impact of systemic violence without justice in Montana, United States; Bentiu, South Sudan; and Ciudad Juárez, Mexico. Maguire is an artist who looks outward, beyond the studio, engaging with the world and working in close dialogue with the families and communities of those erased, displaced, and forgotten by the failure of state institutions to serve and protect. 

Missoula Art Museum commissioned the portraits of Missing and Murdered Indigenous People of Montana for an exhibition titled Outrage and supported the project over five years.

Official Launch February 28th @ 2pm, opened by artist Cecilia Bullo.
‘Outlandish’ is a meditation on the role of nature in the built environment, how it is both marginalised and idealised in the way we design and shape our cities. In this exhibition, using unconventional canvas shapes, de Forge encourages the viewer to rediscover positive relationships with nature, built on curiosity, playfulness, and respect.
Owen de Forge is a Dublin-based artist working across multiple disciplines including painting, sculpture, drawing, and documentary photography.
Tues-Sat 11:00-17:30

Waterford Gallery of Art is delighted to present ‘as below, so above’, a solo exhibition of new and recent paintings by Robert Jackson.

This exhibition brings together a selection of Jackson’s many and distinct series of works developed over the last 15 years including miniature portraiture and skyscapes (Tiny Skies), fragmented dream infused landscapes (Interruption Paintings), meticulous lace fabric studies (Secret and Solitary Vice), and an incredibly ambitious new large scale work developed specifically for the exhibition, ‘Your soul is a chosen landscape’.

Crawford Supported Studios and LHQ Gallery present ‘This is Ireland’, a showcase of the work of sixteen artists working in supported studio settings: Angela Burchill, Bríd Heffernan, David Connolly, Eoin O’Brion, Íde Ní Shúilleabháin, John Keating, Judit Bakos, Katie Whelan, Marie Sexton, Mary Rose Marshall, Nicola Moran, Rosaleen Moore, Stephen Murray, Tom O’Sullivan, Ailbhe Barrett, and Yvonne Condon.

This exhibition has now been extended until Friday 15th of May 2026.

Exhibition continues from 06/03/2026.

The Living Ginger brings together a range of Jack Butler Yeats’s watercolours from 1895 to 1910, a formative period when his vivid sense of character and everyday life was emerging through dynamic, spirited compositions. The title comes from a phrase Yeats once used to describe the vitality he believed that all great painting should possess. That lively undercurrent gives these early works their enduring charge.

Château La Coste, an emblematic location for contemporary art in Provence, is delighted to present Stranger, an exhibition of sculptures by Northern-Irish artist Colin Davidson, running from the 7th of March to the 22nd of June 2026 at Pavillon Renzo Piano, in the south of France.

Internationally recognised for his strikingly emotional portraits, Colin Davidson proposes a major evolution in his art practice with Stranger. This exhibition marks the first large presentation of his tridimensional artworks, while staying anchored in his engagement with paint as a tactile medium, sensible and expressive.

Exhibition continues from 03/03/2026 to 08/05/2026.

Meath County Council Arts Office presents ‘Wildlife Encounters Through the Lens’ an exhibition of work by award winning photographer Tom Ormond.
Wildlife Encounters Through the Lens showcases the variety and beauty of some of the birds and animals that award-winning photographer Tom Ormond has encountered along his way.
Tom Ormond took up nature photography a few years ago, and since then he has had some of the most amazing experiences both observing and photographing wildlife.
Half of the images in this exhibition were photographed in his garden in Meath and the other half further afield in Ireland and the Scottish Highlands.

The Dock presents Soft Spot, an exhibition by Irish artist Helen O’Leary that foregrounds reuse, repair, and ecological thinking as generative artistic strategies.
Raised in rural Ireland in the 1960s and 70s, O’Leary’s formative ethos — “if you can’t make it, you can’t have it” — continues to inform her materially rigorous practice. Over decades, she has developed a distinctive formal language built from modest materials and unglamorous gestures. Her works occupy a dynamic space between painting and sculpture, blurring categorical boundaries while insisting on the physicality of their making.

Exhibition continues from 14/03/2026 to 09/05/2026.

SHIFT
Reflections of unknowing.

The paintings are in the hidden language of change and their numerous manifestations, and are an assimilation of that process in all its mystery. Sometimes the sources are known, sometimes they are not, but either way they become part of the painting. They are a visual diary with markers or indicators that occur naturally working with a mix of intention and intuition. Colour is used to heighten sensation and with the aim of a raw dynamic, they come into being sequentially and organically. They are an interpretative filtering of the world and universe around us.

“Forward,” said granny in the snow – “Eteenpäin,” sanoi mummo lumessa (Finnish Proverb)
Jane Hughes and Selma Mäkelä.
Curated by Paula Barrett.

The Finnish proverb “Eteenpäin, sanoi mummo lumessa” – “Forward,” said granny in the snow – evokes resilience and determination in the face of adversity. This spirit of perseverance underpins this exhibition that brings together the work of Jane Hughes and Selma Mäkelä for the first time.

A major solo exhibition by internationally recognised photographer Jackie Nickerson, Stateside draws on a decade of travel across the United States. Through layered photographic compositions, the exhibition explores patterns of sameness across different American landscapes, offering a nuanced reflection on the systems that shape everyday life.

Glimmers is a new body of work that explores abstraction as an embodied and responsive process whilst highlighting the artist’s use of colour, surface and gesture. Yasmine’s work explores painting as both a material process and a site for reflection, memory and perception. This show reflects her ongoing engagement with the physical and emotional possibilities of paint, as well as her intuitive approach to mark-making.

Exhibition continues from 27/03/2026 to 10/05/2026.

Before I Go: Vanishing Dublin, gathers over fifty characteristically Dublin cityscapes by Gerard Byrne — Georgian terraces, Victorian facades, charming pubs, and beloved corners that continue to define his practice. Working en plein air in both oil and charcoal, Byrne captures architecture and atmosphere in equal measure, incidentally continuing the work of Harry Kernoff and Flora Mitchell, exemplified in her book Vanishing Dublin (1966). 60 years on, he faces the same conviction that what is not recorded is lost forever.

Before I go, before you go, I’ll make sure someone remembers.

The AIB Portrait Prize and AIB Young Portrait Prize bring outstanding contemporary portraiture from the National Gallery of Ireland to Letterkenny. Featuring shortlisted artists selected by an expert panel of judges, the exhibition celebrates excellence, innovation and strong local representation, while reflecting the vitality of portrait practice across Ireland today.

Daisy Chains || Data Trails expands on the recurrent theme in Ciara Tuite’s practice ”body memory’. In this exhibition she explores ‘old practices’ and ‘ancient rituals’ which are embedded in our DNA Modern technology can’t replace the act of mark-making, storytelling, dance etc. In our ever-evolving world, the artist uses painting, text and installation as a conduit to ask the question – how can ancient rituals and digital culture walk side by side to promote peace? What if stone skimming, and barefoot walking are a necessity rather than a novelty to thrive in todays world? What if for a moment we swapped the screen for the sky?

‘Even now there are still places where a thought might grow.‘ – Derek Mahon

I wrote the phrase ‘keep the burning world at bay’ in a notebook during a deep sense of uncertainty at the start of the global pandemic and partly as an answer to my young daughter’s worried question when her school closed – ‘Will it be like this forever?’ I didn’t know, bluffing I told her it would be back to ‘normal’ soon.

Official opening Saturday 4th April at 3pm by Carmel Duffy, Athlone Arts & Tourism Manager

Pause is a body of work by Hilary Kinahan, a visual artist based in the Midlands working from her home studio. The exhibition responds to recent bog fires and their impact on the local landscape, documenting the scorched land through painting and printmaking.

Created as a meditative series, the works invite viewers to slow down and reflect. The series includes sonographs of birdsong, signalling renewal and the gradual return of life to the damaged boglands.

Runs until Saturday 27th June

Curated by Benjamin Stafford

Official Reception Friday 1st May, 2.30pm

KCAT is a multi-disciplinary arts centre located in Callan, Co. Kilkenny, supporting inclusive arts practices, which celebrated its 25th anniversary in 2025.
Here, things are not easily categorised or separated from each other; common songbirds sit alongside five-legged cats, which sit alongside distant countries, rural landscapes, intimate portraits, and science-fiction worlds. These exist in the minds of some of the artists, but the ongoing success and resilience of KCAT shows that with work, dedication, and care, sometimes other worlds can become real.

The Model is delighted to present Polyrhythms, a solo exhibition by German-Irish painter Tinka Bechert. Bringing together painting, sculpture and textile works made since 2018, the exhibition centres on a decisive shift in Bechert’s practice away from narrative imagery toward abstraction. Accompanying this development has been an increased attention to musical thinking, with rhythm, repetition and pacing guiding how the works unfold.

In April 2026, Askeaton Contemporary Arts continues a growing relationship with the city of Chicago, presenting a series of exhibitions bringing together artist-led activities of the Irish art scene and American Midwest. As part of this initiative Co-Prosperity host Tuneful Places, a group exhibition exploring artists that disrupt and challenge representations of geography, state and capital within an Irish idiom.
The participating artists are John Carson, Martin Folan, Max Guy, Léann Herlihy, Niamh Schmidtke, and Frank Wasser.
Curated by Michele Horrigan and Sean Lynch
Image: John Carson, American Medley, 1981-6

Boy Dancer is a Solstice commissioned collaboration between poet Annemarie Ní Churreáin and artist Niamh McCann. Blending poetry, drawing, sound and sculpture. It reflects on grief, ritual and remembrance, inspired by Ní Churreáin’s foster brother. Accompanying the exhibition, Solstice Arts Centre is hosting an opening event on April 11th at 2.30 PM, a special public conversation featuring Annemarie Ní Churreáin, Niamh McCann, and poet and critic Gerard Smyth. This event offers audiences a rare opportunity to hear directly from the collaborators about the creative process behind Boy Dancer.

Presenting composer Matthew Whiteside’s immersive sound installation responding to the Wallace Collection – through its archives as much as its objects, tracing the systems of labour, wealth, and administration that sit beneath the museum’s refinement. The piece turns attention towards those largely absent from its narratives: the workers whose labour underpinned the wealth from which such collections emerged. In bringing together the language of record-keeping with the machinery of production, we invite audiences to listen to what has been seen as significant enough to preserve, and notice what has been excluded from those records.

Exhibition continues from 12/04/2026 to 12/06/2026.

At the Edge of Place brings together a body of paintings shaped by Carey’s time spent in Canada, especially Alberta. Informed by memory, weather, and scale, these works are not descriptive records of place, but painterly responses to atmosphere, distance, and the emotional residue of lived experience.
Developed through a period of change, the paintings draw on moments that remained with the artist long after he had left them. Mountains, snow, water, light, and small human traces become vehicles for exploring awe, stillness, and psychological weather.

Changing Natures: A Celebration of Artistic Alchemy and Organic Transformation by Katie Byrne, Annie Hogg and Louise Wilde. The exhibition celebrates the artist as an alchemist. It explores the art of transformation, where natural elements are given new narratives. It examines the power of art to breathe new life into that which might otherwise fade or be forgotten. The artists work with wood, water, flowers and other organic materials. Through their craft and creative vision, they turn these materials into something beautiful and lasting. They give permanence to the fragile and bring life to the raw, inviting us to view them in new light.

Exhibition continues from 07/04/2026 to 31/05/2026.

We are delighted to have Daniel Chester exhibit in our Easter Snow Gallery. Daniel is a visual artist based in County Leitrim. His exhibition “Bog To Bloom” is a body of paintings that are inspired by the landscapes of rural Leitrim, Fermanagh, Sligo and Donegal. The Artist invites viewers into these spaces to engage with the works. The artist is highly influenced by the ecology of these wetlands and how they are vital carbon sinks and biodiversity hotspots, yet, these places are often undervalued and threatened. This exhibition can be viewed in full online at www.tseac.ie or at our gallery.

Exhibition continues from 11/04/2026 to 09/05/2026.

Wandering Star is a reference to the physics of light and celestial mechanics, and also a nod to an artistic journey over the decades through the indeterminacy of painting. Joyce uses an arc motif, an elemental unit of human invention and expression, with oblique reference to early human structures, manuscripts and notations, or, as the artist likes to say, ‘stuff holding stuff up’. From a rhythmic and mechanical foundation, a bending of the light, familiar, like the Rings of Saturn, or the passing lights on the nearby orbital motorway, errors accumulate, an entropic unspooling, fragmenting towards chaos and disorder.

Vivian Hansbury is a mixed-media artist who integrates cast materials with organic elements. This exhibition features glass castings inspired by moss and bronze castings derived from willow reeds, reflecting her nuanced journey of growing up in the Irish Midlands and navigating the complexities of a biracial identity in the 1970s and 1980s. The exhibition includes both free-standing and wall-mounted sculptures in conjunction with drawings, immersing the viewer in the rich narrative of the boglands, which are deeply rooted in mythological and historical significance. Vivian’s work invites a critical examination of memory and the fluidity of recollection, guiding the audience through a liminal space that exists between past and future. Specifically designed for the Custom House Gallery.

Image: Tanawin, Willow Withies, Jesmonite & Turf Castings

Following the success of Art Evolve, we are delighted to announce What Happens Next, a compelling new group exhibition bringing together a dynamic selection of contemporary artists.

A Group Exhibition by Artists: Colleen Fitzpatrick, Maria Laffey & Linda Proudfoot

“Nature does not hurry yet everything is accomplished.” – Lao Tzu
We are all rooted in Mother Nature but look to the sky where we dream of flying on the wild wind.
This exhibition is a celebration of the vastness, beauty and vulnerability of nature in these uncertain times.
If we slow down and tune into nature we learn so much. We live in an age of soundbites and instant gratification.
Art can point us to the world and help us to see things we don’t usually notice, such as the pace and beauty of the natural environment.

“Of the Earth” – A Three-Person Exhibition at Glass Attic Gallery, Jerpoint Glasss Studios, Kilkenny Of the Earth, a three-person exhibition featuring the paintings of Debra Bowden, Ross Stewart, and Krisztina Rozanich, opening on Friday, April 17th at 6pm at the Glass Attic Gallery, Glenmore, Stonyford, Co. Kilkenny (R95 WN67). The exhibition will be opened by Sue Nunn and runs Monday to Saturday, 10am–5pm.
Of the Earth brings together three distinct yet deeply interconnected artistic practices, each grounded in a shared engagement with landscape, material, and the passage of time.

Press Release; Launching Friday April 17 at 7pm, The Glen Tavern in partnership with F.L.P. (Fun Limerick Productions) present Seomra Comhrá, a new Visual Art experience in the city. Combining the convivial setting of the traditional Irish Public House and the imagination of artists, Seomra Comhrá (Conversation Room) is a new way of encouraging chat and bringing art into the public realm.
First up is Tim O’Neil, a Limerick based artist working from Wickham St. Studios. His practice spans collage, installation, and drawing.
Seomra Comhrá artists are Tim O’Neill (April 17-May 8), Melanie O’Rourke (May 8-29), and Dan Scully (May 29-June 18).

Vestiges brings together 2 practices that ask how we live with what remains—traces of place, labour, & memory,& the ongoing work of belonging. Through sculpture, text, performance & printmaking, the exhibition reflects on infrastructures, both physical and psychological, that shape identity & connection within a continually shifting landscape.

O’Shea presents a deconstructed modular home examining housing precarity, instability, and creative labour. Galvin’s Flow draws on walks along the River Dodder, using expanded printmaking and community engagement to map environmental change, memory, and belonging.

Opening reception – Friday 17th April, 6 – 8pm.
This exhibition will be opened by artist Alice Maher, and accompanied by a newly commissioned essay by Catherine Marshal, curator and art historian.

April 2026 marks the 30th anniversary of the opening of STAC. This group exhibition ‘STAC at 30’ will showcase contemporary work from our national collections, including Alice Maher, Aideen Barry, John Burke, Patricia Hurl, Austin McQuinn, Ursula Burke, Sheenagh Geoghegan and Bridget O’Gorman. ‘STAC at 30’ is the first exhibition of a yearlong programme that focuses on the wonderful artists and work that continues to come out of the region.

Ormston House presents ‘Memory of a Free Festival’. The exhibition will run from 18 April until 20 June 2026.

Memory of a Free Festival is a touring exhibition and events programme taking place between March 2026 to March 2027. Conceived by Ormston House, the project responds to the Carnsore Point anti-nuclear festivals that took place in Wexford between 1978 and 1981. Featuring works by Orla Barry, Brian Duggan, Alanna O’Kelly, and Cóilín O’Connell.

Further information available here: https://ormstonhouse.com/programme/memory-of-a-free-festival/

‘Bándearg’ (Pink), an exhibition, featuring five female artists working in Ireland, officially opens in Books At One, Louisburgh, Co. Mayo, on Saturday, April 18th at 6:00 PM and will run through to May 13th 2026.
The exhibition brings together a diverse collective of artists, Olivia Jones, Tina Poole, Anna Marie Savage, Nickie Harrington, and Maria Mollohan, to explore the colour pink as both a physical material and a complex cultural symbol. Historically associated with innocence and softness, the colour is reclaimed within this exhibition as a site of strength, resistance, and emotional depth.

Exhibition continues from 13/04/2026 to 16/05/2026.

We would love to extend a warm invitation to you to experience our latest online offering, Dry Facts And the Judgement of Imagination.

This is a unique take on the online exhibition format, featuring artwork by Aisling-Ór Ní Aodha and writing by Seán Ward. The exhibition adopts the signifiers (and html code) of an online state archive, it was curated and designed by Cóilín O’Connell.

Online from April 13th until May 16th, 2026.

We encourage you to experience this exhibition on your laptop or desktop computer (rather than your phone), if possible!

Curated and designed by Cóilín O’Connell.

Commissioned by Screen Service 2026.

Exhibition continues from 16/04/2026 to 20/05/2026.

To retrofit is to modify something made in another time, adapting it to function under new conditions. In this new solo exhibition created for the Cavan Arts Festival and Townhall Arts Centre, John Rainey adopts this logic of reuse – cutting into, combining, and reworking familiar forms from the history of sculpture to reflect contemporary pressures, values, and ways of seeing.
In Retrofits, figures shift between references, forming hybrid configurations that disrupt expectations of classical sculpture. Human and animal elements merge, creating figures shaped by transition and uncertainty.

Exhibition continues from 03/04/2026 to 14/06/2026.

Visit the Spring Exhibitions at The Douglas Hyde by artists Abbas Zahedi and Bushra Mustafa Dunne, on now until Sunday 14 June 2026. ⁠EX/IT: LIFT is the first solo exhibition in Ireland by artist Abbas Zahedi whose work centres on reciprocity, renewal, social connection, and care. With a background in medicine and training in psychiatry, Zahedi brings scientific, philosophical, and poetic insights to bear on fixed narratives around art, history, and institutional life.⁠ In this instalment of The Artist’s Eye series, Zahedi has invited poet Bushra Mustafa Dunne to write and record a new text.⁠

Luan Gallery presents Divergent Lines, a multidisciplinary group exhibition featuring new and existing work by Brian Fay, Felicity Clear, Lelia Henry, Kiera O’Toole, Mary-Ruth Walsh and Michael Wann.
Opens to the public on 22 April, with the official launch taking place on Saturday, 25 April at 3pm with guest speaker Sarah Searson, Curator.
Divergent Lines is a multidisciplinary group exhibition exploring the potential of drawing across a diverse range of artistic practices and mediums, with a focus on abstracted methods of mark-making and the phenomenological exploration of line in space. The exhibition will run until 21 June.

The title Iarmhaireacht — the hush of the early hours when the house has finally stilled—marks the threshold space in which these worlds are made. It is the time when thought loosens, when inner and outer landscapes dissolve, when the real world and the imagined one share the same light. The landscapes that appear here are familiar yet not entirely ours—Ireland, yes, but seen from a slight distance; this planet, perhaps, but tilted toward another possible version of itself. They are places just slightly out of reach, close enough to recognize, far enough to long for: the world we know, and the world we hope might yet be possible.